Pommerat Les Marchands Critique Essay
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The Segal Center presents an afternoon of screenings and an evening with award-winning French playwright-director Joël Pommerat. Director in residence at Peter Brook’s Theatre des Bouffes du Nord (2007-2010), Pommerat has crafted a signature style of actor-driven playwriting with his company, Compagnie Louis Brouillard, since 1990. Afternoon screenings will include selections from Pommerat’s works Cet enfant, Le Petit Chaperon Rouge, Pinnochio, Les Marchands and Cercles/fictions. At 6:30pm, Bilingual American actors will perform a staged reading (in English) of Pommerat’s play Je Tremble (1) while the original French production at Theatre des Bouffes du Nord is projected on the screen. Directed by Nigel Maister and presented in collaboration with actors Robert Stanton and Manisha Snoyer, the staged reading will be followed by a discussion with Joël Pommerat and Anne de Amézaga (executive director of La Compagnie Louis Brouillard), moderated by Tom Sellar (Theater Magazine). Video of Je Tremble (1) by Anais Ibert / Victor de las Heras / Ludwik Pruskowski. Program made possible by support from French Cultural Services New York, La Comédie Francaise New York (Actfrench.com) and the Henri Peyre French Institute (Professor Francesca Sautman, Director).
Anne de Amézaga is a theatrical agent and producer who has been working with Joël Pommerat since 2000. She became executive director of the Compagnie Louis Brouillard in 2005 and has been the co-director of the company since 2009 and responsible for public relations and communication. De Amézaga participated in the creation and direction of Dix-Huit Théâtre, which became l’Etoile du nord (Paris), from 1980 to 1998. She co-founded the company Ticket Théâtre in 1994 and was the programming co-director for the Off-Avignon Festival in Colibri from 1994 to 2003. She was responsible for the self-inquiry study for Alain Ollivier’s theatre CDN Théâtre Gérard Philipe de Saint-Denis from 2002-2003. She has conducted public relations for numerous directors and productions, most notably, Thyeste by Sénèque (dir. Sylvain Maurice, 1999); Jean-Pierre Bodin’s Le banquet de la Sainte Cécile (1999); Jarry’s Ubu (dir. Dan Jemmett, 2000); Jean-Pierre Bodin’s Beauté misère (2002); and Isabelle Lafon’s Igishanga (2002). De Amézaga served as programming director for the Passavents festival at the Evreux-Scène nationale in 2000; La Sonate des Spectres by Strindberg (dir. Daniel Jeanneteau, 2003); Marguerite, reine des près by Karin Serres (dir. d’Anne-Laure Liégeois, 2004); Léonce et Léna by Buchner (dir. lles Bouillon, 2004); Richard Morgiève’s La demoiselle aux crottes de nez with Léonore Chaix (2004); Les crocodiles dans tes rêves (dir. Gilles Bouillon, 2005); and 2 Iphigénie (dir. Christian Esnay, 2006). She also served as Technical Advisor and coordinator for the Festival Dedans-Dehors, Théâtre de Brétigny 2005 and the 18th Festival au Village, Brioux-sur-Boutonne 2006. She has worked with Didier Ruiz and the Compagnie des Hommes since 1999, responsible for programming and communication for its productions and the development of the company and its projects.
Photo courtesy of the artist
Nigel Maister is a director, writer, designer and performer, and the Artistic Director of the International Theatre Program at the University of Rochester. Recent and noteworthy theatre productions include Peter Handke’s The Hour We Knew Nothing of Each Other, King Lear, Michael John Lachiusa’s Hello Again, John Cage’s Song Books, his own multimedia adaptation of The Iliad, the world premières of W. David Hancock’s The Puzzle Locker, Andy Bragen’s The Hairy Dutchman, and the NY premières of Manfred Karge’s Conquest of the South Pole, and his own translation of Bernard-Marie Koltès’s Roberto Zucco. He is a founding member of the acclaimed new music ensemble,
Alarm Will Sound, for whom he has staged numerous concerts, including Benedict Mason’s AWS/MILLER: the Fifth Music: Résumé with CPE Bach at Columbia’s Miller Theatre, the Odd Couples and A/Rhythmia concerts at Carnegie Hall’s Zankel auditorium (and elsewhere), as well as numerous smaller pieces in other AWS concerts (including Cal Performances, the Holland Festival, et al). With AWS, he also performed his own text, Paper Trails (music by Stefan Freund) at the John Adams-curated In Your Ear Festival (Zankel/Carnegie Hall), and co-developed and directed 1969 for the Kitchen (NYC) and for upcoming performances at the Denver Center for the Arts and at Carnegie Hall’s Zankel auditorium. Other recent performance credits include Rzewski’s Coming Together. A Drama League Fall Directing Fellow, he also worked for two seasons as a staff director at Glimmerglass Opera. Additionally he has been an assistant to, and actor for Giorgio Strehler at Il Piccolo Teatro di Milano, and interned with Richard Foreman and Peter Sellars (amongst others).
Joël Pommerat was born in 1963. As a Playwright-director, he has devoted himself exclusively to writing for the theatre since 1986, after acting for several years. Seeking to bring his writing to the stage, he founded the Compagnie Louis Brouillard in 1990 and created his first shows at Théâtre de la Main d’Or in Paris (Le Chemin de Dakar, Le Théâtre, Vingt cinq années, Des suées, Les Evénements). In 1995, he wrote Pôles which was originally produced at the Théâtre des Fédérés in Montluçon and then reprised at Théâtre de la Main d’Or. In 1996, a workshop with about 30 actors resulted in the creation of Présences which was performed in Hublot. The next year, after a residency at Montluçon, he went back to work on the same play which became Treize étroites têtes, perfomed at Théâtre des Fédérés, at Théâtre Paris-Villette, at Théâtre Brétigny, and at the Saarbrücken festival. Since 1997, Théâtre Brétigny and the Théâtre Paris-Villette have financed and hosted one or several productions by his company every year. Since 1998, his company’s residency at Brétigny-sur-Orge has been the occasion to develop various projects (writing residencies, writing workshops, collaborative video projects involving the people of the region, workshops, banquet-readings, tasting-readings directed at young audiences, various encounters…)
A network of loyal support has developed around the company (co-productions, residencies, pre-paid productions, invitations): La Ferme de Bel Ebat (Guyancourt), le Centre d’art et de création de Mont-Saint-Aignan, les Ateliers du Rhin (Colmar), le Centre Dramatique national de Normandie – Comédie de Caen, le Centre Dramatique national d’Orléans, le Centre Dramatique de Tours, le Théâtre National de Strasbourg, le Centre Dramatique de Thionville-Lorraine, la Scène nationale de Chambéry…
Joël Pommerat is also interested in the moving image and film. He has made several short films, including a film entitled Visages with Marguerite Bordat, bringing 800 faces in front of the camera.
Joël Pommerat and la Compagnie Louis Brouillard were invited to the Festival D’avignon in July 2006, with Le Petit Chaperon Rouge, Au monde and Les marchands and in July 2008 with Je tremble (1et2).
Photo Courtesy of the Artist
In 2005, he became an Associate Artist for three years at the Espace Malraux-Scène nationale de Chambéry et de la Savoie. Joël Pommerat and the Compagnie Louis Brouillard have been in residency at the Théâtre des Bouffes du Nord since 2007 (2007-2010). He is an Associate Artist at the Odéon-Théâtre of Europe at the Ateliers Berthier for three seasons (2010-2013) and at the Théâtre National de Bruxelles
Since 2000, the Compagnie Louis Brouillard has been supported by the Minister of Culture-DRAC/Ile-de-France. It is also financed by the City of Paris and the Ile de France region as well as Culture France and the SACD.
La Comédie Française New York is a French language and acting school based in Manhattan. It’s mission is to promote contemporary Francophone theatre through language instruction, acting in French classes and cultural events. Please visit actfrench.com for information on upcoming classes and performances.
Manisha Snoyer is an actress, translator and teacher based in New York City. Acting credits include performances at the Ensemble Studio Theatre, Cours Florent, the Tank, the Hangar Theatre, Cornell University Schwartz Center for the Performing Arts and films for National Geographic. She studied acting at Cours Florent in Paris with Lesley Chatterly, Guillaume Gallienne (Guillaume et les garçons) and Michele Harfaut. She has translated three plays by Joel Pommerat. BA French Literature, Brandeis University, Theatre and Creative Writing major, Interlochen Arts Academy. She is the founder and director of La Comédie Française New York: actfrench.com
Photo Courtesy of the Artis
Robert Stanton’s Broadway credits include John Guare’s A Free Man of Color directed by George C. Wolfe, Schiller’s Mary Stuart directed by Phyllida Lloyd, and Tom Stoppard’s The Coast of Utopia directed by Jack O’Brien. Off-Broadway includes Love Child, written and performed with Daniel Jenkins, directed by Carl Forsman (New World Stages, Primary Stages), Charles Grodin’s The Right Kind of People, Obie and Clarence Derwent Awards for his performance in David Ives’s All in the Timing (Primary Stages, John Houseman), Carl Forsman’s production of Ionesco’s The Bald Soprano, translated by Tina Howe (Atlantic Theater Company), Simon McBurney’s staging of The Resistible Rise of Arturo Ui (National Actors Theatre), David Lindsay-Abaire’s Fuddy Meers (MTC, Minetta Lane), Cymbeline directed by Andrei Serban, Measure for Measure directed by Joseph Papp (Delacorte), A.R. Gurney’s A Cheever Evening (Playwrights Horizons), Caryl Churchill’s Owners directed by Mark Wing-Davey and Traps directed by Lisa Peterson (New York Theatre Workshop), and Keith Reddin’s Rum and Coke directed by Les Waters (The Public). Regional credits include The Front Page directed by Ron Daniels, Stoppard’s On the Razzle (Williamstown), Hay Fever directed by Darko Tresnjak (Westport Country Playhouse), Gurney’s The Guest Lecturer directed by Jon Rando (George Street Playhouse), Jeffrey Hatcher’s Compleat Female Stage Beauty directed by Walter Bobbie (Philadelphia Theatre Company), Once in a Lifetime directed by Anne Bogart, The Homecoming, Major Barbara, Serban’s productions of Twelfth Night and Carlo Gozzi’s The King Stag (American Repertory Theatre).. Films include Luc Besson’s Arthur et la vengeance de Maltazard and Arthur et la guerre des deux mondes, Confessions of a Shopaholic, Gigantic, Find Me Guilty, The Stepford Wives, Head of State, The Quiet American, Mercury Rising, Red Corner, Next Stop Wonderland, Washington Square, Striptease, Dennis the Menace, Bob Roberts and A League of Their Own. TV includes several episodes of “Law & Order” and “Law & Order: Criminal Intent,” “Frasier” and Woody Allen’s Don’t Drink the Water. Training: M.F.A., NYU Graduate Acting Program.
Tom Sellar is Associate Professor of Dramaturgy and Dramatic Criticism at Yale University and Editor of Theater magazine, published by Yale School of Drama/Yale Repertory Theatre and Duke University Press. His reporting and criticism appear regularly in national publications including the New York Times, American Theatre, and the International Herald Tribune, and he is a frequent contributor to the Village Voice.
5:00 p.m. Screenings – Pinnochio and Les Marchands
6:30 p.m., Monday, December 13, 2010
Martin E. Segal Theatre. Free!